Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Willem Claesz Heda 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
1584		Breakfast of Crab	1648 The Hermitage, St.Petersburg
88373		Breakfast Still Life	1637(1637) Medium Oil on wood cyf
1581		Breakfast Still Life with Blackberry Pie	1645 Staatliche Kunstsammlung, Dresden
40441		Breakfast Talbe with Blackberry Pie	mk156 1631 Oil on panel 54x82cm
85639		Dessert	1637(1637) Medium Oil on panel Dimensions 44.5 x 69.5 cm (17.5 x 27.4 in) cyf
43217		Detail of Still Life with a Lobster	mk170
76254		Nature morte aux pieces d etain	50 cm x 83,5 cm cyf
33688		Still Life	mk86 1631 Oil on panel54x82cm Dresden,Gemaldegalerie Alte Meister
55750		Still life	mk244 1631 Oil on canvas 54x82cm
1583		Still Life 001	1651 Gallery of the Duke of Liechtenstein, Vaduz
1586		Still Life with a Gilt Goblet	1635 Rijksmuseum, Amsterdam
43216		Still life with a Lobster	mk170 1650-1659 Oil on canvas 114x103cm
76244		Still-life	Date 1657 Medium Oil on canvas Dimensions 52 x 74 cm cyf
88806		Still-Life	1632(1632) Medium Oil on oak panel cyf
75861		Stilleben	Date 1629 Medium Oil on panel Dimensions 46 ?? 69.2 cm (18.1 ?? 27.2 in) cyf
76223		Stilleben	1634(1634) Medium Oil on panel Dimensions 43 ?? 57 cm (16.9 ?? 22.4 in) cyf
76846		Stilleben	English: c. 1640 Medium Oil on panel Dimensions Deutsch: 58,5 ?? 79 cm cyf
45544		Style life	mk186 around 1630 Madrids, Museo del Prado
45637		Style life	mk186 1637 Antwerp museum Mayer van the Bergh
45639		Style life	mk186 1637 Antwerp museum Mayer van the Bergh
45635		Style life with gilded cup	mk186 1635 Amsterdams, Rijksmuseum

Willem Claesz Heda

1594-1682 Dutch Willem Claesz Heda Galleries Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).

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